banjo headstock identification

banjo headstock identification new harrisonburg high school good friday agreement, brexit June 29, 2022 fabletics madelaine petsch 2021 0 when is property considered abandoned after a divorce . GIBSON GARAGE FIND A DEALER GIBSON APP. The choice to discontinue the Mark Series had to do with the general turmoil of the Gibson company in the last years of ownership by Norlin. The 1934 version had a classic Gibson sunburst: the small amber center around the bridge about 1/4 of the top area. MK-81 models were rosewood back & sides, ebony fingerboard with figured abalone block inlays & gold plated hardware. See more ideas about banjo, guitar inlay, mandolin. The Jumbos had a slight V shaped neck with the Gibson truss rod and a pointed French heal somewhat unusual for Gibson. Please read the section on J-35s and J-55s as the J-45s and Southerner Jumbos replaced the earlier models it was a natural evolution. Gibson believed that these choices would allow them to focus on their more profitable lines. 1970 onward: 1 piece maple. CLM, Classical guitar with mahogany back and sides. According to the Gibson catalog, natural finish was the only option in 1939 but we are told that at least 2 examples exist of a cherry sunburst from the same period. The ones up until 1924 had either at best a ball bearing tone ring -- spring loaded ball bearings with springs to keep the skin heads tight. Music Love. Not many were sold and the production run was therefore limited to 2 years. S3R3H, Like S3R, with 3-piece back, full herringbone binding, gold tuners. The centerline of the neck had the black inlay. Gibson style one piece flange, probably zinc, also Gibson style flange brackets, 4 resonator screws. It's difficult to positively identify the manufacturer of these . The first number of the sequence indicates the decade of production, followed by the three digit day of the year, and finally the year. I removed the resonator today and there is a hand written number 8 and that's it. Acoustic guitars are punched inside the soundhole on a sticker behind the strings. Grupo Musical. If the serial number is legible the instrument can be relatively easy to date. This is a strong playing. JR, jumbo size guitar with East Indian rosewood back & sides, chrome tuners. Acoustic Guitars. The swing distance is important because it dictates how large a turned piece can be on that particular lathe. serial number impressed to verso, 60 cm long ', 'Pisgah 12 Builders Choice Custom Walnut Dobson 5+1 String Banjo', 'Custom 12inch Billybilt Banjo w Figured Maple neck and Curly maple RIckard Pot and Balch head', '11inch Billybilt Banjo with Antique Spunover SS Stewart Pot and Curly Maple neck'. The fretboard was bound but without extension and The Gibson was stamped into the tailpiece cover. The bass of this model will amaze you, and of course the clear brilliant treble is in perfect balance. For once, the hyperbole may have been closer to the truth. CMI acquired Gibson around May 1944. Sha-Sw. T-V. W-Y. made unmarked banjos for others to sell as well. It also had a black veneered headstock (front and back) and a black inlay in the back of the neck. teachers who sold them to students, some of which are tagged with the name of It shared many features with the L-5 archtop electric acoustic: The neck was basically an L-5 neck in scale, section and detail. B. Schall (1878-1907) manufactured many unmarked banjos for After October 1930 the body and style designations and the serial number appears stamped on the neck blocks: Since the Larson brothers built guitars for many brand names, identification can be difficult, but there are a number of stylistic and structural building techniques that help narrow the exercise. ARCHIVED TOPIC: Vintage Kay Company Banjo - Need Help Identifying Model, Please note this is an archived topic, so it is locked and unable to be replied to. Late 1930s through 1942: ? adjustment wheels 2 feet and extensions on top of the base for the wheels. Script Gibson logo, Fretboard: Twin parallelograms inlays unbound 19 fret. Welcome to the Vintage Banjo Maker, please do sign up for email updates to keep in the loop about new additions to our research coming soon! The Mark Series guitars were particularly interesting among the Gibson flat tops made in the 1970s due to their unique bracing. The introduction of a truss rod cover to the headstock caused the inlay patterns to adjust as well. The hardshell case had a green or red silk lining. Start your day off right, with a Dayspring Coffee Martin Guitars seemed to take note of the successful sales of the Gibson acoustic-electrics J-160E and CF-100Es. The one delivered first to Ray Whitley was not the model now seen as the beginning of the Super Jumbos, but a simpler 12 fret version. This is a high-quality instrument. Blake507 - Posted-12/26/2013: 15:42:17. These can exist on any model numbers including the A-jr. Dimensions: 16 wide, 10 1/4 long and 4 1/2 deep. See also: Gibson J-160E for more historical context. The 1975 price was $1,999. Larrivee Serial Numbers (approximate). Modern Gibson Logo open "b" and "o". 1921 onward: Metal 90-degree pickguard support screwed into the body and additional screw to the neck. ARCHIVED TOPIC: VINTAGE BANJO IDENTIFICATION. JM, jumbo size guitar with mahogany back & sides, chrome tuners. Ohio banjo player Steven Moore has his first solo project, Just a Little Talk with Myself, just recently released. This was quickly reduced to avoid model confusion between the J-45s and the more expensive Southerner Jumbos. Bodies: Rosewood, oak, mahogany, koa and maple. However there were and are many different types, most of which can be found on this page. Take a closer look at the serial number found on the back of the headstock and reference the guide below. In some cases, teachers would Similar to A, but with double purfling on the soundhole. The early instruments built in Nashville suffered from inexperienced workers and climate-control problems in the humid South. Similar to A-2 but with snakehead headstock, blonde finish, b/w binding, and A2-Z on the label. Banjo not included or available. Body shape changed to square shoulder dreadnought. and What's it sound like? Serial number records exist for instruments built before 1975 and after 1980. By the records, between 200 and 300 were built. Gold script Gibson logo, Pickguard: Tiger-striped & teardrop shape, Finish: brown sunburst top finish, dark brown mahogany back and sides and neck, Body Binding: 7-ply top binding and single ply back binding, Tuners: Kluson Mfg Chicago and Pat. stamped into the plate in a circle around the attachment screws, plastic button usually white but sometimes black), Tortoise-shell teardrop pickguard replaced the tiger stripe material, Single bound top and back, multi-bound rosette, Mahogany neck but a few Maple necks with a single walnut stripe down the center (3 piece neck), Three layer w/b/w tops and single layer back binding, Mahogany neck block with beveled sides, changed to a mahogany neck block with square sides, Tuners were 3-on-a-plate Klusons with exposed gears and Kluson Mfg Chicago and Pat. stamped into the plate in a circle around the attachment screws, plastic buttons (usually white but sometimes black) and 1/4 diameter posts. What's the history on the this jo, are you the original owner? It is most common after 1923 when most Gibson model As had this shape. It took Gibson 2 years to develop their response: The Jumbo of 1934. It is not clear how many were made, but it is likely that there are less than 12. Cherry Sunburst is still available. There was a line of black inlay (or ebony layer) along the centerline of the back of the neck. Saga Bella Voce 70/80. C-series Factory location: Hinsdale, New Hampshire from 1973 to 1979, D-series Factory location: West Sansei, New Hampshire from 1980 to 1981, The designation S refers to the body size: 2 & 3 (increasing with number value). It might be a Fairbanks or Stewart, but there is no name anywhere on the instrument. of their later banjos had elite tailpieces, Orpheum-like hardware, and long, Gibson started making banjos in 1917. The first group in late 1936 had larger soundholes and long scales: 25 1/2. Huber Banjos offers our new owners the option of either customizing one of our stock models, or "designing your own dream banjo" from among the various wood and metal configurations, and the many . Vega continued to mark their banjos "A.C. Fairbanks" until the middle teens. The above Peghead Shapes are existing patterns. Most information about Larson Brothers instruments comes from their catalog published around 1930. For example: In general: Bacon serial numbers begin in 1906 (1 and 2 digit) and run consecutively until the sale of the company to Gretsch in 1940 (5 digit). Gibson TP-6 tailpiece became standard. Unfortunately, the information is confusing and inconsistent. It was available with a brown finish and came as a snakehead or paddle headstock. It was Gibsons most prestigious solid body (and therefore expensive, with a couple of exceptions). Use them in commercial designs under lifetime, perpetual & worldwide rights. Though there appear to be exceptions, necks between 1912 and 1923 are 3-piece mahogany. 2 foot pressed arm rest and flat head tone ring. target no need to return item. I am the third owner, the previous owner researched it and, based on the serial number, headstock design and inlays declares it to be a 1976 Gibson RB 250 MASTERTONE model with the 20 hole metal tone ring. The Mark Series guitars had 16 3/16 lower bouts with very narrow waists, and a headstock like no other in Gibson tradition. Martin introduced the large body dreadnaught in 1932 It was bigger, bolder, and louder than anything Gibson had to offer. which do not feature a paper label. There is a Kay company logo on the headstock but absolutely no other identifying marks. Post war logo, 1947/8 to '60s found on various guitar like Melody Maker, Les Paul Jr, Special, Lg0, Lg2, Sg Jr, Special, ecc, ecc.Note the dot link to G. '70 Gold logo - Decal instead silkscreening. It is important to note that there are exceptions to every rule and the following is only a general guide for identifying Gibson "A" Style mandolins. Rettberg & Lange (1898-1920) banjos were initially similar to Buckbee-made This technique of supplying interchangeable saddles/bridges was not new, it had been used by Selmer in France for their Maccaferri style instruments since the 1930s. Banjo Headstock Designs. It appears that many mandolin owners of earlier models chose to upgrade their bridges to the fancy new adjustable models after 1921. David L. Day was in his 70s. Though it was discontinued in 1942, the last Advanced Jumbo left the Kalamazoo plant in 1940. If you would like to use content from this page, see our Terms of Usage policy. Kluson tuners no longer had circle stamp (exposed gears riveted instead of screwed in place) and shaft size of 7/32 to save wartime metal. My understanding is that only 12 of these particular banjos were ever manufactured by Kay. Occasionally the labels have fallen out or been removed during repairs making it a bit trickier to date the instruments. Introduced 1967, Basically an more economical LG-0. MK-99 models were handcrafted and signed by Richard Schneider. MK-72 models were rosewood back & sides, 3 piece ebony/rosewood fingerboards with dot inlays & nickel hardware. LG-0 | Introduced 1958 | Discontinued 1973, LG-1 | Introduced 1947 | Discontinued 1968, LG-2 | Introduced 1942 | Discontinued 1962, LG-2- | Introduced 1949 | Discontinued 1962, LG-3 | Introduced 1946 | Discontinued 1963, B-25 | Introduced 1962 | Discontinued 1976, FJ-N | Introduced 1963 | Discontinued 1970, F-25 | Introduced 1963 | Discontinued 1970, B-15 | Introduced 1967 | Discontinued 1970, Brazilian rosewood rectangular through bridges, 2 screws in the bridge with MOP dot covers, Basically the same as LG-1 with a mahogany top, Single plastic tortoise shell binding top and back, Narrow neck design with 14 degree headstock angle, Same basic guitar as LG-2 with average wood, Wood imperfections covered by a dark sunburst, Tall scalloped braces change to low-profile rough cut, Enlarged rectangular bridge with closed slot, Fire striped plastic pickguard teardrop shape, Last use of the Banner decal on headstocks, Basically the same as an LG-2 with better materials, Bottom belly rosewood bridges with adjustable saddles, Back, sides and neck finished in walnut stain, Body shape: 16 wide, round shoulder dreadnought shape, Top: Select spruce, 2-piece bookmatched with scalloped X-bracing, Neck: mahogany, single piece, unbound, 19 fret, dot markers, Bridges: Rosewood belly-down. The name evolved from De Luxe Jumbo to Super Jumbo in 1939, and then to the Super Jumbo 200 (reflecting the price at the time, the case would be $28 extra). It was the heart of the depression and the instruments cost $60 without a case. Free or royalty-free photos and images. The bracing was revised to accommodate the moustache bridge and generally heavier than earlier models. G Edward Porgie - Posted - 06/16/2021: 14:40:30. The fingerboard typically has inlays made of silver or steel. 3 hrs, 'Pisgah 12 Builders Choice Custom Walnut Dobson 5+1 String Banjo' 3 hrs, 'Custom 12inch Billybilt Banjo w Figured Maple neck and Curly maple RIckard Pot and Balch head' 4 hrs, '11inch Billybilt Banjo with Antique Spunover SS Stewart Pot and Curly Maple neck' 4 hrs, I see no collectors market for banjos like yours.<, We use cookies to ensure that we give you the best experience on our website. Over time the J-35 braces began to appear scalloped. A flourish inlay under The Gibson in the headstock. They did provide paper labels for the instrument that they represented but did not provide labels for custom instruments or other shops or manufacturers. Following many prototypes, shapes and bracing patterns, the Mark Series was launched in 1975. These shoes are shown in an 1890s Washburn banjo catalog, on low end models with . The decade following saw a change in finish from varnish to shinier lacquer. They didnt sell well but did live up to their design intent of a heavier, booming tone with good overall balance. There's a small snag in the outer pocket webbing - otherwise it's like new. Serial numbers are addressed elsewhere on the web site but can be found also on Gibsons website and George Gruhn & Walter Carters book: Gruhns Guide to Vintage Guitars. The Gibson LG series of flat-top guitars were developed as the natural evolution of the earlier L-Series. By 1941, either natural or sunburst were available. The standard early Gibson A models had a soft V shaped neck. The soundboard was so large and the body so deep that the sound was immense. There were some 1 3/4 nuts available. ECL changed its name shortly afterwards to: Norlin Inc. for ECL president Norton Stevens and CMI president Maurice Berlin. Augustino LoPrinzi Guitar Maker Clearwater Florida (LoPrinzi name bought back from AMF) Instruments designed and built by Augustino and Donna LoPrinzi (daughter). Similar to an A2 except for the top color: an orange top in the teens, and a white top (refrigerator-top) in the late teens and early twenties. 428 Geared pegs, reinforced neck & high nut, MYNNN or MYNNNN Month = 1-9 with 3 or 4-digit production number, MMYNNN or MMYNNNN Month =10,11,12 with 3 or 4-digit production number, # 41122 would have been made April 1971, #122, #121131 could be made in either December 1971, #131 or January 1972, #1131, #221 could have been made around 1907 or in the early 1940s, #2121 could have been made around 1913 or 1914, the late 1940s or February 1971, #21, #31121 could have been made in the early 1931 or 1932, 1960 or March 1971, #121. In 1947 a natural finish J-45 was finally offered and given the designation: J-50. 1908 into 1916: Elevated pickguards of plastic tortoise shell clamped to the body with a removable clamp and pinned to the bridge. banjos. The headstock shape is very similar and it has the hexnut . The original price in 1942 was $45. Other singing cowboys who later owned Super Jumbos include Roy Rogers and Gene Autry. Laminated maple back and sides is discontinued (FON batch 2828 used maple back and sides). For example, one head might sound right for one player on a five string banjo, but be disappointing on another players tenor banjo. If you count the plies in the rim it is about 12 or 13 which is what I have seen in a lot of Asian banjos. set of identifying characteristics can be found at MK-35 models were mahogany back & sides, rosewood fingerboards with dot inlays & nickel hardware. The binding on the top is b/w. The Gibson stamped on tailpiece cover and inlaid in headstock. The first Gibson J45 guitars were only slightly different from the discontinued J-35. Augustino & Thomas LoPrinzi Guitars usually have the date of manufacture on the label. The passage of time confuses matters even further: They made some non-SilverBell models that had been developed in the 1930s that bore the B&D label like the Seniorita, and some later Gretsch SilverBells that carried only the Bacon label. The early models had shallow neck sets and low bridges that increased in angle around 1908 with taller bridges. Tuners, hardware and tailpieces were probably purchased from Lyon and Healy who had a factory just down the street from the Larson shop. You have your choice of 3 different peghead shapes. This should be considered a guide to get you within a year of the correct date. They did not imprint the instruments with any particular brand. "F" Style mandolins have a carved nautilus shaped curl on the upper left-hand bout. The Gibson CF-100 was introduced in 1950 (the CF-100E was introduced 1951) and discontinued in 1960. I would sure like to hear what it sounds like. serial number impressed to verso, 60 cm long Australian zither . Most old Hfners do not have serial numbers. string peg perch is typically carved out from the side of the neck as shown Angled (Tilted-Back) Headstock. Dimensions: 16 wide, 10 1/4 long and 4 1/2 deep. Brown or black finish, some binding only on the top and in the soundhole with one ring around the soundhole. Many have no identification at all. There is a steel tone ring on the maple rim, and the rim has a maple cap. Wiley Morris of the Morris Brothers Hillbilly Band and Charlie Monroe (Bill Monroes brother) took to the instrument for its potential in the roots of Bluegrass music. There is a Kay company logo on the headstock but absolutely no other identifying marks. The Advanced Jumbo has been described by some as the finest no compromises most powerful flat-top guitar Gibson ever designed and built. The following are a rough guide. Its difficult to positively The Kalamazoo plant kept going for a few years as a custom-instrument shop, including the Mark Series instruments, and was ultimately closed in 1984. A head on a long neck open back banjo might sound completely different on a 12-string banjo. It became apparent early that the new design concept was good: they were, in fact, louder and more cutting in tone. In any event, these should be used only as a guide and not assumed to be absolutely correct. Manchester University, Instruction * ConcertsJams * More The name variations included Bacon and Day and B&D for all the instruments co-developed by Fred Bacon and David Day. Like everything else, we have seen exceptions to the listed dimensions; especially the nut widths. Even the group of inexperienced entreprenuers could see and understand the value of the Gibson name. To complicate matters, the Larson brothers appear to have used different numbering techniques for different brands that they supplied. The following are believed to be accurate known numbers: The following serial numbers are approximate at best. 156137I know this is a mandolin forum, but the admins suggested I start here. 1978 $1079 Tobacco sunburst is dropped for Fireburst; Maple is now described as Natural. Each model of the Mark Series was available in natural or sunburst finish. Pickguards between 1909 and 1921 +/- show a stamped patent date of Mar. Towards the end, the line actually continued to increase in sales. 2. Its not clear how it works during this period. It was a refinement of the slope-shoulder design of the original Jumbo but slightly deeper: 4 13/16. The second type of headstock, as you can tell by its name, is the angled or tilted-back headstock. Like the SJ-100 of the same year, the J-55 had a stair-step headstock that persisted for only 2 years. Weekly newsletter includes free lessons, favorite member content, banjo news and more. They are maintained by Donna LoPrinzi in Clearwater Florida. Gold-plated tuning gears, LOTS of abalone inlay. Find the worth of your vintage banjo from 1920s to 1970s. The first versions of the Super Jumbo guitar had a neck joint with 12 frets clear of the body placing the moustache bridge geometrically in the center of the distinctly round 16 7/8 lower bout. Headstocks say LoPrinzi. Buy in monthly payments with Affirm on orders over $50. Headstocks of US models also use the Gibson headstock shape. That way I'll be sure to hear it, since I will get a heads up when you post. In 1935, binding was added to the fretboard. The Gibson stamped on tailpiece cover. The 31 year old part time musician has mostly been found on the contest stages in recent years, taking first in the National Bluegrass Banjo Championship twice, and in the RockyGrass, RenoFest . This makes up for the shallow break angle, and also does away with string trees, which are not needed in this case. Between 1934 and 1938, Gibson only offered the sunburst finish. 1968: Changed to a bottom belly bridge and 1960 style pickguard, 1969: Changed to a square shoulder dreadnaught, Original version: solid mahogany back but laminated mahogany sides, 1 piece mahogany neck & 17 degree headstock angle, Bound Brazilian fretboard with trapezoid inlayed markers, Individual Kluson tuners with white buttons later: keystone Pearloid buttons, P-90 single coil pickup with adjustable pole pieces. Yes, please do post your tune here on this page. 1921 early: 3/8 adjustment wheels, short base and aluminum compensated bridge top. During 1942 two new models were introduced to the Gibson line-up to replace the J-35 and J-55. If the fretboard was bound, they generally added a stripe of black under the side binding. This information is approximate and has not been verified by the LoPrinzi family. It appears that they experimented right up to the point of discontinuing the line. The financial strain became too much and the company sold in 1940 to Gretsch. You may, however, start a new topic and refer to this topic with a link: http://www.banjohangout.org/archive/276603. The sides and back were tinted mahogany with a sunburst red spruce top. Late 1974 gold covered recording pickups are replaced with humbuckers. It is not clear how Gibson decided to set their nut widths and neck thicknesses. This was expanded in 1935 to about 1/3 of the top area. The top and back bindings were black plastic with red line highlights. You may, . The original V shape of the necks of the J-35s was replaced by distinctly round necks (baseball bats) and a tear drop pickguard. In 1923 it appears that Gibson began to assemble A-2s with left-over blonde tops from A-3s. It would have helped if the Larson brothers had sequential serial numbers but there is just enough contradictory evidence to prevent one from trusting numbers that appear to be sequential. $80 in depression era dollars was beyond the means of most people of the time but 300+/- were built during its 3 year production run. For photographic examples of the Gibson Cf-100 and CF-100E Click Here. and many were left unmarked. The FON is the only identification number on Gibson's lower grade models (like the ES-125, ES-140, J-160E, etc.) 1952: The headstock gold decal logo was replaced by an inlayed pearl script and crown. Early 1970's block shaped no dot over the "i" closed "b" and . How to customize a Huber Banjo; . It was during the years of 1977 through 1986 that most of the high-end lines at Gibson were discontinued: The ES-350T, L-5S and the Mark Series among them. Why not post a little tune with it. It is very showy though. Width at nut 1 11/16, scale 24 3/4. The first two digits tell you the month the banjo was built, the last two digits before the dash or space will tell you the year, and the numbers . These bridges had movable saddles up to about 1917 when they changed to a one-piece compensating bridge design through early 1921. CONTACT US; Headstock Shape. . 562 Standard size with rosewood back & sides, MOP and colored wood appointments. Worthy of mention is the Jumbo Deluxe, though it is believed that only 3 were ever made in 1938. LoPrinzi Guitars Plainsboro, New Jersey AMF years (serial numbers: high 3,000 4,000s) Tom LoPrinzi was still with the company. Wyatt Fawley's banjo, model for the "Retrotone" banjo design : 1949 : 3399-86 -100 : 1-piece: Dots : I/N Auction 2/2007 with flathead ring from 1963 RB180 and 1959 RB100 neck : 1949 : 3399-90: RB-150: . Starting in 1923, models included: the Silver Bell, the Super Banjo and the Blue Bell. No serial numbers etc. A New Leaf from Steven Moore. The 1975 price was $659. Features: Carved curly maple body, with ornate multilayer binding, laminated maple neck, ebony fingerboard with abalone block inlays, gold-plated hardware throughout, two gold plated pickups with separate volume and tone, three-way selector switch. Identification. The neck holds the strings secure using tuners, four of which are located at the peghead, with the fifth string tuning peg located almost halfway up the neck. Larger top braces used, and bigger solid wood bridge plate and larger bottom-belly bridge. Dreamstime is the world`s largest stock photography community. 30, 1909. gibson one-of-a-kind Christmas banjos! Martins 1st steel string: 1922, 18 Mahogany body after 1917, no volute on headstock, 40 Rosewood body, MOP top & soundhole but not neck base, 41 Rosewood body, MOP top & soundhole but not neck base, 1969+ D-only, 42 Rosewood body, MOP top, soundhole & neck base but not sides, 45 Rosewood body, MOP top, soundhole, neck base & sides, S (1967 on) 12 fret neck, slotted headstock, Dyer (1906 1923?) http://www.mugwumps.com. If you want to use any of this information: It is, therefore, not unusual to find older mandolins with replacement bridges. Steel Guitar. Gibson Banjos 1925 and Later: . This is the smallest model, chrome tuners. The Aria 921C was a good quality 5-string banjo made in the early 1970s. The headstock face was veneered in black. (Numerical ID) Example: Serial number 0191456 = Harmony Standard Series guitar built in 2019. Saga. Go back. The later pickguard clamps have a stamped patent date of July 4, 1911. Slanted mid 1940's Gibson Logo. Customers can choose from these shapes or provide an alternate.

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